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The Congress - Ari Folman

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Review by HALfie


Is it an ambitious movie about the future scenario of the cinema or just a prediction about technology and identity or both of them?

The filmmaker Ari Folman already famous for “Waltz with Bashir” lets audience astonished jumping among action live scenes and animation.

It’s not just an experimental movie, it’s a challenging way to manipolate images and concepts to demonstrate some theory about losing identity control.

Plot seems to be overloaded with too many good ideas that make the viewer lost.

"Gentlemen, you can't fight in here! This is the war room!"
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, 1964